牧江村(cūn )郊野山藏有(⛪)(yǒu )一(🕦)怪，赤(🥑)面獠牙，名(míng )曰垃圾人(🐢)，他(tā(🎊) )身世神秘，以垃圾为食(😍)，日(rì(🥚) )遇(yù )村妇马秀娟(🎽)(juān )，将(🍺)其掳(🥃)掠。马秀娟(juān )通过(📿)与垃(👯)圾(jī )人的交往，发现他(🛌)虽丑(🕓)陋骇人，却心地单纯(chú(🤸)n )。但天(🌎)不遂(♿)(suí )人愿，“单纯”的(de )垃(lā )圾(🚉)人却(⚪)将马(mǎ )秀(xiù )娟视为配(⤴)偶，囚(🍕)于(yú )废弃厂房(fáng )。矿山(🥘)老板(🤐)徐(xú )东南徐西北两兄(🚜)弟欲(📜)(yù )借炸山除垃(lā )圾人(🎪)之名(🚿)在(zà(〽)i )野山非法拓矿，全(quán )然(💬)(rán )不(🏧)顾马秀娟(juān )安(ān )危。而(🦅)垃圾(⬆)人通过马秀娟逐(🌇)(zhú )渐(🌍)(jiàn )了(🕳)解人类的(de )尊(zūn )重(🌶)与爱(🍾)，遂将其放(fàng )归牧江村(🥒)。马秀(🦂)娟得知(zhī )徐东南阴谋(🔰)后为(🐴)救垃(🐀)(lā )圾人与之抗(kàng )争，最(⭐)终被(😘)(bèi )绑于山上，垃圾人(ré(🅾)n )为(wé(🐶)i )救马秀娟与(yǔ )徐(xú )东(🏎)南死(📐)命相搏，后(hòu )被徐东南(💂)(nán )炸(👬)(zhà )死。环保组(zǔ )织声明(🦎)垃圾(👋)人出(📵)现乃(nǎi )牧江村的环(huá(🙀)n )保意(🖍)识薄弱(ruò )之恶果，垃圾(👾)人本(🕚)(běn )无(wú )罪，罪在人(🐭)(rén )心(🅾)(xīn )对(🛤)环境的态度，并呼(👡)吁民(🍻)众(zhòng )善(shàn )待环境。
圣(shè(🔛)ng )诞(dà(✡)n )节，米格兰一家发(fā )现(🕷)全家(🌄)已(yǐ(🔇) )被(bèi )神秘的金属(shǔ )物(🥑)质包(🌰)围，但究竟是(shì )什么，工(🦁)业(yè(🥩) )事故？恐怖(bù )袭击？(🌺)核战(🔲)争？在(zài )电(diàn )视机上(🆘)出现(🐯)(xiàn )了(🤲)(le )“进一步的指示”，他们按(👧)(àn )照(🏯)(zhào )电视机的指(zhǐ )示，展(💚)开了(👿)血腥的屠(tú )杀…
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(😲) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives.
“没有(🍥)名字的(de )我，没有未(⏭)来的(🎚)她(tā )”
收到媽媽從(cóng )山(❔)上寄(🐌)來的蜜蘋果，小月計算(🥪)(suàn )著(🕛)(zhe )，媽媽已經(jīng )在(zài )外工(🛅)作許(👱)久了(🤶)，媽(mā )媽的搖籃(lán )曲(qǔ(🤐) )總是(💖)在耳邊(biān )呼喚著。『你(🦁)媽多(🚿)久(jiǔ )沒回來了？』是(🌪)小月(🏤)（13歲）與碧艷（15歲）(🏔)兩(liǎ(🏗)ng )個小(🌩)女孩彼(bǐ )此(cǐ )關心的(💐)話語(😋)。
林义与女朋友(yǒu )赵(zhà(🧀)o )婷、(🕳)朋友马(mǎ )三探亲途经(🌁)大青(🎢)沟，无意得知商(shā(🍕)ng )人王(😔)金堂勾(gōu )结土匪，欺行(🌆)霸市(⛏)，独揽该地人(rén )参生意(🏬)。几经(🏝)周折，最终在林(lín )义(yì(🍽) )的带(🌏)领下(🈳)，众(zhòng )人将以王金堂为(🏥)首(shǒ(🚁)u )的恶人打(dǎ )败(bài )，还靠(💨)山镇(🎩)(zhèn )往日欢乐祥和之景(🚇)。
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(🎺) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
